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So who would we cast as Frank? I loved the beard, the scarring, and physical abuse that the character continuously suffered in the book. I wanted our Punisher to be limber, sleek and smart.
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We needed a man that could take a hit, but would need a few days to recover from it. Enter Nick Apostolides.
I had seen him brilliantly lead a cast of astronauts in a student sci-fi film and was blown away. He has the ability to catch our attention with just a glance, he can steal a scene from the best of them - but more importantly, he can captivate us without saying a word. Nick loses himself in his roles to become a character and his commitment to his craft rivals that of Frank Castle himself.
Getting him to agree to come on board made me realize that we had to shoot this!!! Comic books have been the biggest influence on everything I create.
‘I Can’t Do Casual’
I love how the medium is dependent on the picture, framing, and composition to tell a story. I was born to shoot a comic book film. One thing I gripe about all the time is that a lot of the big budget films these days tend to lean towards reality when it comes to the look. The footage is clean, the light is white, and the framing is more functional than anything else.
A lot of the big comic book films feel more like and expensive TV show than a film. Imagine if Ridely Scott, David Fincher, or one of the hundreds of great visual directors made one? They can be dangerous! Vivid colors, heavy grain, experimental lighting, and intentional framing could still be done right.
Even on our budget. I also wanted our film to feel timeless, make it feel like the films I grew up loving in the late eighties.
These guys had somehow captured the sound from my youth and put it to this dark driving beat. They had to be in my movie somewhere! My goal was to create a pilot for a potential web series, a pitch film to Marvel and the fans.
If It Feels Good, You Know It Can't Be Wrong - Fairport Convention - VAGALUME
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THE DEAD CANT BE DISTRACTED
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